I get asked about my camera setup constantly — in DMs, in comments, on stories. So here it is: everything that lives in my camera bag, why I chose it, what I use it for, and where you can grab it. From the drone that shoots the aerial shots over the Maldives lagoons to the pocket camera I reach for at dinner — this is the full kit.
My main camera for everything — stills, travel photography and serious video work. The R7 is a 32.5MP APS-C mirrorless powerhouse running Canon’s Dual Pixel AF II system, the same subject-tracking technology used in Canon’s professional bodies. The 4K/60p uncropped video is stunning, the in-body image stabilisation keeps handheld shots sharp, and the weather sealing means I’m relaxed in rain, sea spray or dusty environments. The 1.6x crop factor gives brilliant extra reach on longer lenses — perfect for wildlife and distant detail shots.
My go-to for vlogging and casual behind-the-scenes content. It fits in a pocket, shoots 4K video with a 20.1MP 1-inch sensor, and the 180° flip screen makes talking to camera completely effortless. The f/1.8 wide aperture gives beautiful light gathering even in dim restaurants or evening settings, and the optical image stabiliser keeps walking footage smooth. I reach for this constantly — on boat transfers, at dinner, exploring markets — anywhere the R7 would be overkill. The built-in microphone input means I can plug in the DJI Mic Mini for clean audio on the go.
This is the piece of kit that takes my content from great to genuinely jaw-dropping. The Air 3S has a dual camera system — a 1-inch CMOS wide angle (50MP, f/1.8) and a 70mm medium telephoto — both shooting 4K/60p with 10-bit D-Log M colour. The result is cinematic aerial footage with up to 14 stops of dynamic range. It folds compact enough to travel easily in a carry-on, handles wind brilliantly, and LiDAR obstacle avoidance means I can fly confidently. The 45-minute battery life means I rarely need to swap mid-session. This is what makes the Maldives, Ireland’s coastline and every landscape destination look truly extraordinary.
My water and adventure camera. The Ace Pro 2 shoots up to 8K video through a Leica SUMMARIT lens with dual AI chips for incredible low-light performance and FlowState stabilisation that makes even bumpy boat or snorkel footage look smooth. The dive case extends the waterproof rating to 60m (196ft), making it perfect for scuba diving, snorkelling reefs and proper underwater photography. The 180° flip screen is ideal for solo filming, and gesture and voice control let me operate it hands-free in the water. The colours straight out of this camera are genuinely stunning — rich, warm and saturated in a way other action cameras just don’t match.
The camera that captures everything — literally. The X5 shoots full 360° 8K video, meaning I can mount it on a selfie stick, forget about framing, and choose the perfect shot in post. The selfie stick disappears completely (the camera stitches it out automatically), creating those effortless floating POV shots that consistently perform brilliantly on Instagram and TikTok. I use it for hyperlapse sunsets, immersive destination walk-throughs, and creative reframes in editing. Waterproof design for splashes and light rain, and replaceable lenses mean a scratch isn’t a disaster.
Great content lives and dies on audio, and this tiny clip-on wireless mic transforms it. The DJI Mic Mini weighs just 10g, clips invisibly onto a shirt or jacket, and transmits 24-bit audio up to 400m — so I can talk to camera from across a beach or boat with zero range issues. The 48-hour total battery life means I never run out mid-shoot, and two-level noise cancelling handles wind and ambient noise impressively well. One transmitter clips to me, the receiver plugs into the G7X or directly into my iPhone — connects seamlessly to both. For the price, nothing touches it for travel content creation.
A solid travel tripod is one of those pieces of kit that makes everything else work better. After trying several, the Manfrotto BeFree Advanced is the one I keep coming back to. It folds to around 40cm, weighs just 1.5kg, and is sturdy enough to hold the R7 with a lens attached without wobble. Fast leg locks, smooth ball head, handles uneven terrain well — which matters when you’re setting up on a sandy beach or rocky headland at sunset.
Want something more flexible and creative? The Joby GorillaPod 3K Pro is brilliant for wrapping around rails, trees and unusual surfaces for angles no standard tripod can achieve.
My entire editing workflow runs on the MacBook Air, and Apple Silicon handles it without breaking a sweat. I edit in Final Cut Pro and Lightroom — 4K from the R7, 8K from the Ace Pro 2, D-Log M drone footage — all processed smoothly. All-day battery life matters when I’m editing in a hotel room, at a café or on a long-haul flight. The ultra-thin build barely adds weight to the bag, and AirDrop with my iPhone makes transferring footage instant. Powerful enough to run everything, light enough to come everywhere.
Never underestimate a modern smartphone camera. The iPhone 16 Pro is a genuinely professional tool — the 48MP camera and 5x optical zoom telephoto shoot Apple Log video I can colour grade to match my R7 footage seamlessly. I use it for Instagram Stories, casual behind-the-scenes moments, shooting vertical Reels on the fly, and as a second angle in two-camera setups. The Action button is perfect for one-press recording, Cinematic Mode adds beautiful depth for interview-style clips, and DJI Mic Mini connects via Bluetooth for broadcast-quality audio. It’s always in my pocket — which means I never miss a spontaneous moment.
My daily shooting bag — the one that comes with me on every excursion, day trip and shoot day. The padded camera compartment comfortably fits the R7 with a lens attached, plus the G7X, Insta360 cameras and all the accessories. The organisation is genuinely excellent — everything has a home, so I’m not fumbling when I need to swap gear quickly. Comfortable to carry all day, fits as a personal item on most flights, and the build has held up brilliantly through humid, wet and dusty travel. If you’re a content creator looking for a proper camera bag that doesn’t scream “expensive gear inside”, this is it.
When I’m heading off on a longer trip — the Maldives, a week-long content shoot, anything requiring serious packing — this 48L roller is what everything goes into. It holds a serious amount: all clothing, the drone and accessories, the MacBook, chargers, cables and still has room to spare. Roller wheels make navigating airports effortless, and the structured design keeps gear protected. The 48L capacity sits at the sweet spot between checked luggage volume and carry-on possibility on larger aircraft — meaning I can often skip baggage claim entirely. A proper travel companion.
Have questions about any of this gear or want to know how I use it for a specific type of shot? Drop a comment below or send me a DM on Instagram — I’m always happy to chat cameras! 📷
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